Good news, everyone! As of late week, I am now officially a published writer. I wrote an article on Star Phoenix about Asperger’s and my experiences living with it. The link to it is on my “Info About Me” page, but I’ll also link it here as well. I’m pretty proud of it and how it turned out and I’m glad Star Phoenix decided to run my story. Without further adieu, here it is!
Hi guys! I thought I’d mention that I have a Twitter page, that I’ve started to use more lately. In the past, I hadn’t really used it all that much. So, I thought I’d start using it more and more recently I’ll be sure to embed my Twitter onto my blog, so you can all check it out. Also, I now have a Discord page:
The invite is open to anyone, so if you want to be part of a Discord group just starting out, feel free to join. We’ll discuss comics, video-games, movies, or just stuff in real-life. There’s a sub-chat in there as well for PS Vita games, which segue-ways into another announcement. As my year-end project, I’m doing a top 20 Vita game list. I already have the list constructed, but I’m looking for honorable mentions.
Have any Vita games you’d like to see me talk about? Be sure to message me in this chat and let me know, maybe I’ll even include it in there! Again, the Discord chat is open to everyone. I’ll be sure to write out some rules in time, once there are enough people there to facilitate having an extensive rule list. For now, these are the rules I have set in place:
- No Roleplaying/ RPing
- No drama or attacks on other users
- Be respectful of other people’s personal spaces
I’ll probably add more as the group gets bigger. Anywho, that’s all I wanted to say for now. Have a good, and hope to see you in the chat!
Something I haven’t talked about on this blog in quite some time is the Star Wars franchise. Star Wars is a sci-fi series that has been running for over 30 years now, and is one of the most well-known franchises in the world. Almost every film makes a killing at the box-office, even if the quality of some of its entries can be debatable. The age-old tales of space samurai and evil cyborg dads has captured the imagination of multiple generations.
So, it’s unsurprising that the series has gotten more of a resurgence in the past few years. We’ve had new movies, new comics, new cartoons, new games, on top of much needed updates to older Star Wars games. There’s never a lack of content for Star Wars fans, it seems. With all the new movies out, of course there’s going to be trailers and advertisements coming out by the dozens.
Unfortunately, Star Wars seems to have a hit a snag when it comes to trailers. A lot of Star Wars movie trailers seems to be over-obsessed with showing the same elements over and over again. Look at the trailers for the last 3 Star Wars films. We’ve got scenes in the trailers depicting one of the heroes turning to the dark side, a bunch of classic characters we haven’t seen in years, and a ton of scenes that are taken out of context just to put butts in seats.
Now, this isn’t anything new. Trailers are meant to entice viewers by showing them all these amazing things, which isn’t exclusive to movie trailers. The thing is that Star Wars doesn’t need to do this, because it will sell really well regardless. Lately, I feel the newer Star Wars trailers have been obsessed with showing you the best parts of the movie.
While I liked Star Wars: Rogue One, I felt that the trailer showed a bit too much of the epic action sequences. Likewise, the trailer for “The Last Jedi” felt as though it was trying too hard to emulate the feel of Rogue One’s trailer. Both trailers seem to feature a lot of the elements I mentioned earlier, such as heroes turning to the dark side and out of context scenes.
I feel like the Star Wars trailers are being designed to be too enticing nowadays, which goes against how they were in the past. Sure, those trailers were still meant to entice people, but they were done differently. They were obsessed with showing you a ton of nostalgia, the best scenes in the movie, and characters joining the bad guys. These trailers were great because they were well-written, showed enough of the film to be interesting, and weren’t obsessed with shoving nostalgia in your face.
Say what you will about the prequels, but Episode III had a truly amazing trailer. The best part is that the trailer was entertaining in its own right, without showing too many of the biggest and best scenes in the film. I feel that trailer had a good mix of enticing, exciting, and exhilarating content. Heck, I remember the first time I saw this trailer in a theater full of people. Right when the clips started playing on the big screen, I heard a man in back shout “YEEEEEEEEEEEAH!” as loud as he possibly could.
This factors into another problem I have with Star Wars trailers, which has to do more with the movie side of things. Nowadays, Disney is focused on giving us a new Star Wars movie each year. That means we have a steady stream of new Star Wars movie trailers on a yearly basis, taking away a lot of the mysticism of a trailer releasing.
You’ll never hear a person shouting merrily when a Star Wars trailer starts playing on the big-screen nowadays. It’s just an awkward silence, with the occasional cough or kid screaming in the background. The thing is, a trailer doesn’t define how good the movie itself will be. A good trailer could be attached to a bad film, or vice versa. While I do like the newer Star Wars movies, I just can’t get behind the advertising.
The repetitive use of certain elements, characters, or story beats causes these trailers to lose some of the “magic” that Star Wars would normally evoke. I’ll still keep watching the Star Wars movies as long as they are entertaining, but I could care less for trailers that are shoveled out for them. While most people may enjoy said advertisements, I’m just sick of the rigmarole circling around them.
People seem to take a liking to Independent productions, also known as “Indies”. You’ve got Indie games, movies, and even TV shows on occasion. A high budget isn’t always need to produce something high quality. Sometimes all you need is the know-how, skill, and knowledge of what makes something work to fully put it together. This is what makes the works of a Mr. “Corey Lewis” so engaging.
Corey Lewis is known for a ton of more obscure comics, these include his anthology series known as “Sun Bakery”. Sun Bakery is a collection various comics, some of which are old and some are new. One of said older comics is “Sharknife”. It’s hard to fully describe what Sharknife, but I’ll try. The comic revolves around a young man named Caesar Hallelujah, and his best friend Chieko. They work for a Chinese food restaurant, that also doubles as a massive factory.
With the walls of said factory dwell powerful monsters, placed their by a gangster known as “Ombra Ravenga”. While fighting these malicious monsters is merely a meager attempt, the Guangdong Factory has one secret weapon up its sleeves: Caesar Hallelujah. By downing a single fortune cookie, Caesar becomes a powerful superhero named “Sharknife”. Not only does he gain super-natural strength and abilities, but also a fair bit of video-game-based powers. Using his varied skill-set, Caesar defends his place of employment from the various creatures and beings that threaten it.
On paper, this premise sounds ridiculous and kind of bland. In execution, it actually turns out to be pretty freaking awesome! A lot of this comes down to the artwork, which is magnificent. Lewis managed to combine the fluidity and action of a Shonen manga, with the style and urban feel of wall-graffiti. What it creates is an action series with fluid and fast-paced fight scenes. Despite being still images, the movements give off an “animated feel”. It’s hard to describe, but it comes down to how actions are portrayed.
Fights often play out with each character knocking each other around with flashy moves, combined with a strong sense of style. The amount of power put into every panel of every page is almost intoxicating. The way every punch is drawn makes you feel the impact, it’s really quite the rush! Likewise, character designs are pretty good.
I can always tell what each character is like by their design, which is always a plus. Unfortunately, sometimes a character doesn’t go beyond their design and general personality. Despite the amount of characters, only a few of them ever get focused on. The second volume (which goes by the subtitle “Double-Z”) is pretty infamous for introducing way too many characters, and bringing in characters from even more obscure spinoff materials.
As much as I like Sharknife, a lot of the series is style over substance. Sure, the fight-scenes, character designs, art-style, and backgrounds look amazing! Unfortunately, the dialogue, story, and how the characters act can be fairly bland. For example, the second volume introduces a long lost childhood rival of Caesar’s named “Enta Da Dragon”. Enta’s whole driving goal is to murder Caesar, because he beat him in a videogame and got superpowers. Seriously, that’s his whole purpose in the series.
Then again, Sharknife isn’t a series that takes itself too seriously at all. I can look past the lackluster story and somewhat underdeveloped characters, and still enjoy it for what it is: A sugar-infused action series with a lot of heart to it. I look forward to seeing what the “Soul of Sharknife” story in Sun Bakery will be like. Hopefully, it’ll be just as awesome as the first two volumes!
I’d like to tell you all a story: Back in 2008, I had moved to a new city. I didn’t really have any friends, nor was I part of any clubs at the time. I eventually did make some new friends, who formally introduced me to a game that I’ve only heard mentions of before: Elder Scrolls IV: Oblivion. This was a game unlike any other I had played! It was an open world RPG that let me do whatever I want, while at the same time being an interesting universe with diverse side-quests.
There was so much meaningful side-content and fun things to do that I found myself losing many hours to the game. Oblivion was a game that had issues, but did so many things right that it made up for them. It had a colorful and beautiful open-world, with a ton of fun and engaging side-quests, a decent variety of enemies, and a massive amount of things to do.
Oblivion certainly had its problems, there’s no doubt about that. There were bugs, terrible facial designs, a somewhat bland combat system, and a terrible interface. Despite this, the game is still a lot of fun to play today, even without mods. As much as I dug Oblivion, it started a horrible trend that still plagues Bethesda to this very day: Oversimplifying the RPG concepts and and gameplay.
With each open-world RPG game after Oblivion, Bethesda began to make each game simpler and simpler. This got worse once Bethesda got the license to the “Fallout” game series. Bethesda then churned out Fallout 3, a game that simplified many elements of the core Fallout franchise. While Fallout 3 is hailed as a cult classic, many classic Fallout fans downright despise the game.
Still, the game was a fairly fun solid experience and had a ton of well-priced DLC. After Fallout 3, Bethesda allowed Obsidian to develope the next game, which was titled “Fallout: New Vegas”. This allowed some of the people who originally made the series to create a new game for the franchise, while Bethesda was busy finishing Skyrim. What resulted was a Fallout game that managed to please both old fans and new.
New Vegas was released as a spinoff to the main series, but had much more in common with the first two games. In fact, NV was more of a sequel to Fallout 2 than Fallout 3 was! New Vegas introduced more roleplaying elements, features that previous open-world games by Bethesda was lacking. As great as New Vegas was, it was really just a filler game for the series. It’s plot didn’t factor in to Bethesda’s Fallout games, so Bethesda mostly pretended it didn’t happen.
This lead Bethesda to one of their biggest mistakes ever: Fallout 4. Now, recently I’ve been playing Fallout 4. I just got into the game for the first time and I can say that it’s actually a pretty entertaining game. Sure, certain quests are broken beyond belief, there’s a ton of bugs, the story is kind of lame, and the role-playing elements have been dumbed down considerably, but it’s still pretty fun.
The problem isn’t with Fallout 4 itself, but with how Bethesda handled it. You see, Fallout 4 became one of the best-selling games for Bethesda ever. This is great for the company, but it was also too big of a success for a company like Bethesda to handle. Due to the game being such a huge success, Bethesda became sloppy. They jacked up the price of the season pass for the game, and overcharged on the downloadable content.
Worse still, they start banning people on Steam. Why? This comes down to the fact that people were changing to servers from different countries, just so they could play the game a few hours before everyone else. Despite this being more of a minor thing, Bethesda was not happy in the least. Things only got worse from there, however.
Soon, Bethesda made an announcement that they would only give out review copies to the popular Youtubers. This normally wouldn’t be a problem, but most of the big name Youtubers will say nothing but positives things about Bethesda’s games. This means that they will also ignore, or choose not to mention the big flaws the games have.
Some may argue that most of the bad choices came down to Zenimax, which is most likely true. Zenimax owns Bethesda Softworks, so it’s only natural they’d handle the business end of things. Still, Bethesda themselves aren’t completely innocent either. Keep in mind that the spokes of Bethesda, Todd Howard lied during an E3 conference. He said that settlement building was optional, and that it also wasn’t needed to beat the game. Both of these things are false, it’s necessary and you have to do it to complete the main story.
Now, a lot of these things are fairly forgivable. They are dumb choices, but they don’t come off as openly antagonist or anti-consumer. You know what does? Bethesda’s Creation Club. I’ve talked about this system before it’s release, but I think it’s not time to talk about the huge debacle that came from this system. The Creation Club was Bethesda’s second attempt at paid mods, by having modders create “new” content exclusively for the platform.
I say “new” with quotations, since a lot of the supposedly new content is based off pre-existing content from past games. Heck, some of the things you can purchase from the CC are just taken from pre-existing mods! Not only that, but the CC breaks most mods. This includes the “Fallout 4 Script Extender”, which allows for more of the creative and more expansive mods to be used.
If that wasn’t bad enough, a giant text advertisement for the CC was shoved into the corner of the title screen. Constantly there, cluttering up the main menu, and always nagging you to try out this system that encourages poorly implemented paid mods. I’m not against modders being paid for their hard work, but they deserved a better system for this.
In short: Fallout 4 may have been a great game, but the things that spun out of it are slowly killing Bethesda. Sure, they will still make a ton of cash with the inevitable Elder Scrolls VI, but they are still going to have to deal with the controversies currently plaguing them. Bethesda used to be a company that I could turn to for a good game, for something solid and something entertaining.
Nowadays, their great games tend to get overshadowed by their shady business practices. I like to support game studios when I can, however Bethesda has proven themselves to be rather untrustworthy as of late. Once you tarnish your reputation enough, it can be hard to repair it. Will I support Bethesda any time in the future? If they get their act together, then I definitely will. Unfortunately, I highly doubt they will. If a company scams it’s audience and gets away with it, they’ll most likely continue to do so.
Believe it or not, a part of most people’s childhood is their fertile imagination. We imagine crazy things or bizarre scenarios, things that could never exist in the real world. As kids, we are allowed to craft a world atop our already existing one. Another thing kids tend to do is watch really crazy cartoons. More often than not though, people tend to chalk certain shows up as being fever dreams that they had as kids.
These are shows with such insane premises that they couldn’t possibly real, but some of them actually are. I’m going to talk about one of the most insane anime made for kids ever made, a show most people thought they had just dreamed up in their early years. I’m talking about Fighting Foodons, an anime about food turning into monsters and fighting each other!
Fighting Foodons was a show that was originally released in Japan under the title “Martial Arts Cooking Legend Bistro Recipe”. This was a show that involved around kids using magical cards to bring food to life, which were then used by both the heroes and villains to fight each other. I’m not sure how well the show did in Japan, but I’m going to go out on a limb here and assume it wasn’t very well.
This probably comes down to the show never being acknowledged, never receiving that much merchandise in Japan, and the fact that it ran for only 26 episodes before immediately becoming forgotten. It also doesn’t help that show was based off an already fairly obscure Shonen manga that only got 2 volumes. So, Bistro Recipe ultimately ended up as this forgotten and rather obscure anime.
That’s in Japan though, not so much in America. You see, 4Kids was looking to expand their catalog of anime dubs in the early 2000s. So, naturally Bistro Recipe was just asking to be snatched up. 4Kids purchased the localization rights, dubbed it in English using their in-house voice cast, and aired it as a premiere show on the Fox-Box network block. Despite being a launch series for the new block, Fighting Foodons failed to garner interest at the time.
However, due to its ridiculous premise and characters, it eventually became a cult classic. Heck, it became such an underground hit that earlier this year it was given a proper DVD release by Discotek! Now, let’s go into a bit more detail on what this show is about. It revolves around a young boy named “Chase”, a kid who wishes to create the ultimate Foodons in order to defeat the “Glutton Empire”.
Helped by his sister, his Foodons, and a group of motley rebels, Chase must defeat the evil empire and free all of the captured innocents. It’s a pretty standard plot, but the show’s constant need to play into its more ridiculous aspects makes it truly entertaining to watch. This show never takes itself seriously, resulting in a comedic action series that revels in its own insanity.
4Kids did a surprisingly good job on the dub, despite their infamous reputation with butchering anime. Still, 4Kids did change a lot, including editing out several scenes. You may be asking yourself: Can’t I just watch it subbed and uncensored instead? Unfortunately, that’s kind of impossible at this point. The Japanese version of Fighting Foodons is near impossible to find. Some clips are floating around Youtube, but they aren’t subtitled.
Not even Discotek has released the Japanese version, at least not yet. It’s a shame too, considering how catchy Bistro Recipe’s theme song is. Still, I think Fighting Foodons is a decent enough adaptation to watch on its own. This isn’t a show with a whole lot of substance, but it’s got heart. You can tell that the people who made it enjoyed what they did.
Fighting Foodons is one of the few food-based anime that I can fully recommend. I never got much into other food anime, such as Toriko. FF is a rare kind of anime, one that revels in how bizarre its world is. This is what makes the show great! Sure, it’s no Escaflowne or GaoGaiGar, but it’s awesome nonetheless. Here’s hoping the Japanese version gets that release soon, so people can enjoy that version as well.
Good news, everyone! In about a week or two, I will be a published writer. My local newspaper agreed to publish an article I wrote about Asperger’s, and my experiences with it. I will link to the article once it is made available, so anyone who’s interested can read it. I’m honestly very excited about this, since many an hour went into it!
It was one of the projects that I feel really encapsulated me as a writer, and I hope it can inspire the many people who read it. I hope to continue getting more works published and even become a Freelance writer one day! Writing is something I am passionate about, something I feel I excel at. There’s always room for improvement, there’s no doubt about that. I look to keep improving and continue to put out well-written reviews, essays, and short stories. Thank you all for you continued support and have a great day!
I’ve made it no secret that I love Tiger & Bunny. I don’t watch many anime, but this is a show I dig. It’s about a duo of superheroes named Kotetsu and Barnaby, who go by the alternate identities of “Wild Tiger” and… Well, Barnaby doesn’t really have a superhero name until halfway through the series. Eventually though, they do call him “Bunny” and he gets used to it after a while. So yeah, the show is about these two heroes who start off hating each other and are forced to work together. After a while, the series evolves into a rather weird and unique action show. The show is weird, awesome, epic, goofy, silly, sad, and dark all at the same time. The show really managed to handle most of its elements in an interesting and constructive way.
So, it’s no wonder it is why Tiger & Bunny has recently been the number 1 anime in Japan. That’s right, the NHK recently released a list of the top 100 anime voted by the Japanese. Of course, this lead to some rather odd choices and placements on the list. For example, Akira is near the bottom of the list. Dragon Ball didn’t make it into the top 100 at all, in any of its iterations. Weirder still, Cowboy Bebop is ranked at 34. This is especially odd since Cowboy Bebop did terrible in Japan upon release and isn’t as well remembered as a lot of other titles. Still, it’s popularity in the west and other parts of the world probably spilled back into Japan and made it popular there too, at least that’s what I’m guessing.
It’s hard to believe that such a short series has resonated with Japanese audiences so much. The weirdest thing about this is that Tiger & Bunny has been off the air for 5 years, with the last iteration of the series coming out in 2014. Of course, there are talks to adapt it into a live-action film. Anime-to-film adaptations are usually terrible, but Tiger & Bunny is already pretty American in its style, so it would probably make for a perfect live-action adaptation. If done properly, that is. Back to the subject at hand, why did T&B score so well?
According to a friend, it’s because the Japanese tend to hold older shows in higher regard than other shows like One Piece and Naruto. Japan doesn’t cling to “fad” styled shows, and tends to enjoy series that have more staying power and click with audiences more. For example, people still hold cartoons like Spectacular Spider-Man and Batman Beyond as cult classics and examples of high quality animation in America. Japan just loves Tiger & Bunny, which is surprising considering Japan usually doesn’t take to anime with American influences. Like I said, Cowboy Bebop flopped, and Trigun didn’t do so well either.
Tiger & Bunny is one of those rare exceptions where I feel it really appeals to all audiences, regardless of where they are from or who they are. It’s not just a superhero show, a buddy comedy, a weird bromance sitcom, a character study, it’s all of these things and more. Am I saying Tiger & Bunny is better than all these other shows that ended up on the list? Of course not! That doesn’t mean it isn’t worth your attention. With all the attention T&B is getting with this list, I think it’s a good time to get into show and watch it if you haven’t.
As much as I love the shows of the 90s, I’ll admit that not everything about them was perfect. While people like to look back at how great animation was in the 90s, we did have several stinkers. I think a good example of this was the localization of the cult classic Sailor Moon anime.
I liked this show in a “guilty pleasure” sort of way. Sailor Moon was an action show, and at the time I was all about those kinds of shows. I grew up on Arthur and The Knights of Justice, Power Rangers, and Spiderman: The Animated Series, so this seemed right up my alley.
What I got from this show wasn’t what I was expecting at all. The characters had all these American names, despite supposedly living in Japan. Not only that, but a ton of the darker elements were cut out of the broadcast. They turned a semi-dark and action-packed series into a rather toned back comedy aimed for kids, stripping away all that made it unique.
In all honesty, I’m not really a fan of the original Japanese versions of anime. If an English version exists, I’ll watch that instead. I don’t know if I could really suffer through the original English dub of Sailor Moon again, it was torture enough the first time! I mean, was “Sailor Moon Says” really a necessary addition to the show?
If I ever watch this series again, I’ll probably stick to the re-dub they did a few years back. That version sounds far more professional! If you thought the dub was bad, then you probably haven’t heard about something far: The Sailor Moon Thanksgiving Marathon. What is this marathon? Well, let me tell ya!
Around the mid-to-late 90s, DIC Entertainment was looking to cash-in on the Sailor Moon craze. Despite their dub being pretty awful, it was popular enough to garner a massive fan-base here in America. DIC wanted to create a live-action film based on Sailor Moon, despite American films based off anime usually doing bad in the box-office.
Of course, you can’t just rush into a live-action endeavor such as this. Budgeting for a film of this caliber would probably be expensive, so you’d have to test the waters first. That’s where this Thanksgiving marathon comes into play. In 1996, a weekend-long marathon of the first season of Sailor Moon was held. Normally, a marathon of something animated wouldn’t garner attention at all.
However, this special had a little something “unique” attached to it. Before the marathon and between commercials, we had live-action segments of an actress in a Sailor Moon costume. This actress was Tia Browsh, who actually regrets taking part in this terrible special. She was just a teenage actress looking for work at the time, and playing a live-action version of a popular animated character seemed like the big break she needed.
You can tell that she was certainly trying, despite the ludicrous role she was given. She was dressed as a character that was specifically designed for Japanese audiences, so the outfit she was given didn’t translate well to American television. The outfit itself was of very shoddy quality, especially those god awful hair-buns.
Despite this, Tia managed to do a fairly faithful recreation of Sailor Moon’s English voice. Unfortunately, her facial expressions weren’t as spot-on. She kept eyeing up the camera as if she was going to devour it, which would make sense considering the character she’s playing.
While Tia was definitely trying her hardest, she could not save this train-wreck. The awkwardly written dialogue, combined with the horrible outfit, and the bland backgrounds just made me want to vomit. I get the feeling that this would’ve worked better as a Halloween special, considering how much of a horror show these shorts turned out to be.
By the end of this travesty, DIC got their answer on if people would want to see a live-action Sailor Moon movie. The answer was what you’d expect: A big fat “no”. Few people enjoyed the live-action segments, and others wrote in with angry letters. Years later, Tia would apologize for the special. Honestly, I legitimately feel bad for her. It wasn’t her fault that these segments were terrible, she was just doing her job.
I can’t honestly hate these segments, especially due to the amount of effort Tia was putting in. As atrocious as they are, at least the acting was decent. Would I watch it again? Probably not. Still, I think these segments are worth watching, because they form such a perfect time capsule of Sailor Moon’s popularity in the 90s.
Sadly, Tia’s career never really got off the ground. According to IMDB, she was an assistant in the second Austin Powers film, and had a bit part in a low-budget film from the mid-2000s. Now, this page may be for a different Tia, which wouldn’t surprise me considering how they don’t mention Sailor Moon at all in the article.
Speaking of movies, we never did get that live-action Sailor Moon movie. It was probably for the best, considering how these little commercials between breaks didn’t go over well. As fun as it is seeing a live-action Sailor Moon answer questions, it just did not work well at all.
Now, what would the Sailor Moon movie have been about? I have no clue on that. Little information on it exists, beyond Tia saying that DIC was interested in doing it. I’ve read a few articles that mentioned it, but never what the plot would’ve been. Regardless, we eventually did get another Sailor Moon Adaptation: A Japanese television reboot. I’ll save the discussion on that for another day though. For now, I need a palette cleanser. Perhaps I’ll watch some Ronin Warriors…
Hey guys! A couple days ago, I went to Sask Expo with some friends and had a ton of fun! I thought I’d share some photos of my friend and I at this convention. Keep in mind that he gave me full permission to share these. I’ll be sure to post pics of the convention swag I bought as well in the next few days, so look forward to that.
Here’s a picture my friend Carter/92Days took of this epic looking Justin Bieber T-Shirt! I’m not a fan of Justin’s work, but I’m digging that metal-looking demon logo!
Here’s 92Days with some guy in a horse-head mask who looks like he’s drinking his problems away! I mean hey, horses do have the stomach to handle a bit of alcohol. I mean, they probably do. I barely know anything about horses, to be honest.
Here’s me with a pair of cosplayers, dressed up as Groot and Rocket Raccoon. I’m the dork in the blue shirt giving the thumbs up. These people are super nice and I honestly really dig their costumes! The guy in the Groot suit definitely put some hard time into his outfit.
Here’s the last picture I’d like to share! This is of Carter with a person in an orange-colored “Spartan” suit from the Halo video-game series. You can also see a person dressed up like one of the assassins from “Assassin’s Creed” in the background. Double the game references, double the fun!
So yeah, this is all of our pics from the convention. To anyone who attended this year and is reading this, thanks for attending! Anyone supporting nerd culture by attending these events is always welcome. Have a good, everyone, and I’ll see you all at next year’s con.